Spring Events Include New England Premiere and Connecticut Debuts

Kota Yamazaki/Fluid hug-hug performs the New England premiere of "OQ" on February 12, 2016 as part of the Performing Arts Series.
Kota Yamazaki/Fluid hug-hug performs the New England premiere of “OQ” on February 12, 2016 as part of the Performing Arts Series.

The Center for the Arts is one of the rare places in the state where you can consistently experience arts from around the world. This semester is no exception. In January and February, the Ezra and Cecile Zilkha Gallery hosts the work of ten contemporary Chinese artists born after the Cultural Revolution who are challenging traditional notions of Chinese identity and inventing new ways to shout out in the global arena. In February, Syrian singer Gaida brings her band to Crowell Concert Hall. At a time when her country is under siege, her soulful voice will remind us of the beauty and power of Syrian music and culture. And playwright Guillermo Calderón will discuss his award-winning works about Chile in the aftermath of the dictatorship.

The CFA is also the home of countless premieres. In April, you’ll be the first to hear Harlem Heiroglyphs, a new album by composer, vibraphonist, and Adjunct Professor of Music Jay Hoggard, both in concert and as the music for Storied Places, directed and choreographed by Dance Department Chair Nicole Stanton with text by Center for African American Studies Professor Lois Brown.

Finally, the Music Department will host a March symposium on the work of the legendary experimental music composer David Tudor and, in April, the Theater Department offers Wes Out-Loud, a site-specific work created by Assistant Professor Marcela Oteíza and her students.

The semester ends on May 7 with Feet to the Fire: Riverfront Encounter, the second annual eco-arts festival featuring world music bands, educational exhibits, and site-specific performance works by area organizations at Middletown’s Harbor Park, located on the bank of the Connecticut River.

I look forward to seeing you soon.

Pamela Tatge
Director, Center for the Arts

Fall Photos: Nicholas Payton Trio

Grammy Award-winning trumpet virtuoso and multi-instrumentalist Nicholas Payton was born into a musical family in New Orleans. After touring with Elvin Jones, Mr. Payton made his major-label recording debut as a leader in 1994. Since then, Mr. Payton has consistently committed himself to developing his distinct voice and forging new musical frontiers. At Wesleyan, Mr. Payton performed on trumpet, piano, and Fender Rhodes with his Trio featuring bassist Gerald Cannon and drummer Herlin Riley on September 17, 2015 in Crowell Concert Hall.

Click Here to view the full album on Flickr. Photos by Sandy Aldieri of Perceptions Photography.

Nicholas Payton Trio
Nicholas Payton Trio
Nicholas Payton Trio
Nicholas Payton Trio
Nicholas Payton Trio
Nicholas Payton Trio
Nicholas Payton Trio
Nicholas Payton Trio
Nicholas Payton Trio
Nicholas Payton Trio
Nicholas Payton Trio
Nicholas Payton Trio

Fall Photos: 6th annual “Bach to School” Organ Concert

Artist in Residence and University Organist Ronald Ebrecht’s sixth annual opening of the Wesleyan concert calendar featured a lively recital of works by Johann Sebastian Bach, César Franck, Felix Mendelssohn, Charles-Marie Widor, and John Spencer Camp Professor of Music Neely Bruce on Friday, September 11, 2015 at 8:30pm in the Memorial Chapel. The concert also featured percussionist Anthony DeQuattro. The concert was preceded by a dinner with the artist co-sponsored by the American Guild of Organists. Click here to view the full album on flickr. Images by Sandy Aldieri of Perceptions Photography.

Bach to School Organ Concert
Bach to School Organ Concert
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Bach to School Organ Concert
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Bach to School Organ Concert
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Bach to School Organ Concert
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Bach to School Organ Concert
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Bach to School Organ Concert

2015-16 Season Now On Sale! World, U.S., New England, CT Premieres

This year, we are looking forward to introducing you to artists who are asking important questions about our world today, questioning why things are the way they are, and helping us to envision how they might be.

Dorrance Dance make their Connecticut debut on September 25 and 26 as part of the Performing Arts Series.
Dorrance Dance make their Connecticut debut on September 25 and 26 as part of the Performing Arts Series.

Michelle Dorrance, described by the Chicago Tribune as “edgy, seductive and smart,” brings Dorrance Dance to the CFA Theater September 25 and 26. You’ll have the chance to see tap dancers push the boundaries of what tap dance looks and feels like: her company will dazzle you as they transform the stage into one sonic instrument.

At a time when our country is struggling to find its way in terms of race relations, we’ve invited writer/performer Daniel Beaty to campus for a residency that includes the October 9 performance of Mr. Joy, his highly acclaimed tour de force solo show about a community’s efforts to heal in order to dream again.

Composer, visual artist, and new media innovator R. Luke DuBois takes over the Ezra and Cecile Zilkha Gallery from September 16 through December 13 with his exhibition In Real Time, creating maps, scores, and videos that use real-time data flows and media footage to raise questions of artistic agency, privacy, and fair use. In time for the election season, the CFA has commissioned him to create a new work using research generated by the Wesleyan Media Project.

Dancer/choreographer Eiko Otake returns with a series of intimate performances in unlikely places, including a commissioned work in honor of the 100th-anniversary of Wesleyan’s Van Vleck Observatory.

This year’s Navaratri Festival of Indian music and dance features one of the world’s greatest veena players, Sri Rajhesh Vaidya, on October 10, and Bharatanatyam dancer Alarmél Valli on October 11.

All this shares the fall schedule with performances by faculty and students, including the final class performance by students of Adjunct Professor of Music Abraham Adzenyah, who is retiring after teaching Ghanaian drumming at Wesleyan for the past 45 years. You won’t want to miss that concert on December 4.

As always, we hope you will look to the CFA as a place of enlightenment and enjoyment in the months ahead.

Sincerely,

Pamela Tatge
Director
Center for the Arts

Spring Photos: Feet to the Fire – Riverfront Encounter

This event celebrated the river as a source of cultural inspiration and creativity on May 9, 2015 at Harbor Park in Middletown. “Feet to the Fire: Riverfront Encounter” featured live music, visual art installations, plein air painters, a kids’ activity zone, environmental education exhibits, as well as a craft fair and farmer’s market–all designed to bring patrons closer to the rich culture, history, and science of the Connecticut River.

Click here to view the full album on flickr. Images by Sandy Aldieri of Perceptions Photography.

Feet to the Fire: Riverfront Encounter
Feet to the Fire: Riverfront Encounter
Feet to the Fire: Riverfront Encounter
Feet to the Fire: Riverfront Encounter
Feet to the Fire: Riverfront Encounter
Feet to the Fire: Riverfront Encounter
Feet to the Fire: Riverfront Encounter
Feet to the Fire: Riverfront Encounter
Feet to the Fire: Riverfront Encounter
Feet to the Fire: Riverfront Encounter
Feet to the Fire: Riverfront Encounter
Feet to the Fire: Riverfront Encounter

Spring Photos: Noah Baerman Resonance Ensemble

A pianist, composer, educator, author, and Artistic Director of Resonant Motion, “Noah Baerman is no stranger to aiming high” (David Adler, Village Voice). With a cast of instrumentalists and vocalists including alto saxophonist/flutist Kris Allen, vibraphonist Chris Dingman ’02, cellist and vocalist Melanie Hsu ’13, bassist Henry Lugo, Private Lessons Teacher and drummer Bill Carbone MA ’07, Ph.D. candidate, and vocalists Latanya Farrell, Claire Randall ’12, and Garth Taylor ’12, Mr. Baerman (on piano, synthesizer, and slide guitar) and his group presented the world premiere of his extended work The Rock and the Redemption on April 25, 2015 in Crowell Concert Hall.

Click here to view the full album on flickr. Images by Sandy Aldieri of Perceptions Photography.

Noah Baerman Resonance Ensemble
Noah Baerman Resonance Ensemble
Noah Baerman Resonance Ensemble
Noah Baerman Resonance Ensemble
Noah Baerman Resonance Ensemble
Noah Baerman Resonance Ensemble
Noah Baerman Resonance Ensemble
Noah Baerman Resonance Ensemble
Noah Baerman Resonance Ensemble
Noah Baerman Resonance Ensemble
Noah Baerman Resonance Ensemble
Noah Baerman Resonance Ensemble

Spring Photos: Wayang Kulit – Javanese Puppet Play

University Professor of Music and dhalang (puppet master) Sumarsam and the Wesleyan Gamelan Ensemble, directed by Artist in Residence I.M. Harjito, presented a Javanese wayang kulit, the puppet play employing intricately carved leather puppets, accompanied by an ensemble of tuned-gongs, metallophones, two-stringed fiddle, xylophone, flute, and vocalists on April 24, 2015 in the World Music Hall. Click here to view the full album on flickr. Images by Sandy Aldieri of Perceptions Photography.

Wayang Kulit: Javanese Puppet Play
Wayang Kulit: Javanese Puppet Play
Wayang Kulit: Javanese Puppet Play
Wayang Kulit: Javanese Puppet Play
Wayang Kulit: Javanese Puppet Play
Wayang Kulit: Javanese Puppet Play
Wayang Kulit: Javanese Puppet Play
Wayang Kulit: Javanese Puppet Play
Wayang Kulit: Javanese Puppet Play
Wayang Kulit: Javanese Puppet Play
Wayang Kulit: Javanese Puppet Play
Wayang Kulit: Javanese Puppet Play

Spring Photos: The Nile Project

The Connecticut premiere of The Nile Project featured a dozen musicians performing collaboratively composed songs drawn from the diverse styles and instruments of the countries along the Nile Basin—including Burundi, Egypt, Ethiopia, Kenya, Rwanda, Sudan, and Uganda—intertwining these traditions into a unified sound that is “joyous and even raucous” (NPR Music) on April 10, 2015 in Crowell Concert Hall. Click here to view the full album on flickr. Images by Sandy Aldieri of Perceptions Photography.

The Nile Project
The Nile Project
The Nile Project
The Nile Project
The Nile Project
The Nile Project
The Nile Project
The Nile Project
The Nile Project
The Nile Project
The Nile Project
The Nile Project

 

Spring Photos: The Universal Flute

Asian Cutural Council Senior Advisor Ralph Samuelson MA ’71 performed traditional music on shakuhachi (Japanese flute). Dancer /choreographer Eiko Otake (of Eiko & Koma) joined Mr. Samuelson, performing a variation from her solo project, A Body in Places on April 1, 2015 in the Seminar Room at the Mansfield Freeman Center of East Asian Studies. Click here to view the full album on flickr.

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The Universal Flute
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The Universal Flute
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The Universal Flute
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The Universal Flute
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The Universal Flute
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The Universal Flute

Images by Sandy Aldieri of Perceptions Photography.

Meet the Winners of Wesleyan’s Concerto Competition (May 2)

CFA Arts Administration Intern Chloe Jones ’15 talks to the winners of the Wesleyan University Concerto Competition—Josh Davidoff ’18, Harim Jung ’16, and Paula Tartell ’18—who will be performing a free concert with the Wesleyan University Orchestra on Saturday, May 2, 2015 at 8pm in Crowell Concert Hall.

This Saturday, the Wesleyan University Orchestra, under the direction of Adjunct Assistant Professor of Music Nadya Potemkina, presents Modest Mussorgsky’s Pictures at an Exhibition, and the winners of the Wesleyan University Concerto Competition.

The concerto competition is open to all undergraduate and graduate Wesleyan students. The three winners have the opportunity to play a piece of their choosing, either a published arrangement or an original composition, accompanied by the Wesleyan Orchestra or Wind Ensemble. This year’s winners are Josh Davidoff ’18 (clarinet), Harim Jung ’16 (double bass), and Paula Tartell ’18 (piano).

WUOConcertoComp_575pxMr. Davidoff is a freshman from Evanston, Illinois. He picked up the clarinet in fourth grade, but it was not until his sophomore year of high school that he realized his intense passion for classical music. He came to Wesleyan after a summer spent touring the country with the National Youth Orchestra, a 120-person orchestra of which he was Apprentice Orchestra Manager. He has continued to pursue music at Wesleyan and is currently studying with Private Lessons Instructor Charlie Suriyakham.

“Music has been very prevalent in my first year at Wesleyan,” he says. “It is related in some way to most everything I do.”

This Saturday, he will perform the Première Rhapsodie for clarinet and orchestra by Claude Debussy, a piece originally composed for the Paris Conservatory’s clarinet examinations in 1910. Mr. Davidoff describes it as incredibly challenging but deeply satisfying to play.

“This piece is particularly significant in music history because it is one of the first to use blankets of harmony, instead of more traditional progressions of chords,” Mr. Davidoff says. “It explores a pallet of sound, rather than a trajectory.”

A New Jersey native, Mr. Jung is a junior pursuing a double major in Music and Psychology. He played cello until middle school where he discovered his passion for bass. He has rigorously studied classical double bass since the age of thirteen, and also plays electric bass as a hobby. At Wesleyan he studies with Private Lessons Teacher Roy Wiseman.

This Saturday, Mr. Jung will perform the first two movements of Giovanni Bottesini’s Bass Concerto No. 2 in b minor, a concerto he has been practicing all year.

“I am particularly drawn to this bass concerto,” Mr. Jung says. “Not only because of its virtuosity, but also for its romantic and operatic compositional style.”

He describes this particular bass concerto as the Paganini of all bass concertos, heroic and strong.

“I imagine a baritone walking on stage and starting with this strong note,” he says. “That’s the image that comes to mind when I play this piece.”

Ms. Tartell is a freshman from Great Neck, New York. She started playing piano as a six-year-old, taking lessons locally until high school when she began commuting to New York City for her music schooling. After taking a break from music her first semester at Wesleyan, she entered the concerto competition as a way to get back into playing.

“I honestly didn’t feel like myself when I wasn’t practicing seriously,” she says.

This semester, in addition to preparing the concerto, she is studying with Private Lessons Teacher William Braun.

Ms. Tartell will perform Robert Schumann’s Piano Concerto in a minor in this Saturday’s concert. Premiered in Leipzig in January of 1846, it is the only piano concerto that Mr. Schumann ever completed.

“The Schumann really spoke to me,” she says. “It speaks not in a conventional, flashy way but reminds me of the person who is soft spoken yet says a lot.”