Spring Events Include New England Premiere and Connecticut Debuts

Kota Yamazaki/Fluid hug-hug performs the New England premiere of "OQ" on February 12, 2016 as part of the Performing Arts Series.
Kota Yamazaki/Fluid hug-hug performs the New England premiere of “OQ” on February 12, 2016 as part of the Performing Arts Series.

The Center for the Arts is one of the rare places in the state where you can consistently experience arts from around the world. This semester is no exception. In January and February, the Ezra and Cecile Zilkha Gallery hosts the work of ten contemporary Chinese artists born after the Cultural Revolution who are challenging traditional notions of Chinese identity and inventing new ways to shout out in the global arena. In February, Syrian singer Gaida brings her band to Crowell Concert Hall. At a time when her country is under siege, her soulful voice will remind us of the beauty and power of Syrian music and culture. And playwright Guillermo Calderón will discuss his award-winning works about Chile in the aftermath of the dictatorship.

The CFA is also the home of countless premieres. In April, you’ll be the first to hear Harlem Heiroglyphs, a new album by composer, vibraphonist, and Adjunct Professor of Music Jay Hoggard, both in concert and as the music for Storied Places, directed and choreographed by Dance Department Chair Nicole Stanton with text by Center for African American Studies Professor Lois Brown.

Finally, the Music Department will host a March symposium on the work of the legendary experimental music composer David Tudor and, in April, the Theater Department offers Wes Out-Loud, a site-specific work created by Assistant Professor Marcela Oteíza and her students.

The semester ends on May 7 with Feet to the Fire: Riverfront Encounter, the second annual eco-arts festival featuring world music bands, educational exhibits, and site-specific performance works by area organizations at Middletown’s Harbor Park, located on the bank of the Connecticut River.

I look forward to seeing you soon.

Pamela Tatge
Director, Center for the Arts

2015-16 Season Now On Sale! World, U.S., New England, CT Premieres

This year, we are looking forward to introducing you to artists who are asking important questions about our world today, questioning why things are the way they are, and helping us to envision how they might be.

Dorrance Dance make their Connecticut debut on September 25 and 26 as part of the Performing Arts Series.
Dorrance Dance make their Connecticut debut on September 25 and 26 as part of the Performing Arts Series.

Michelle Dorrance, described by the Chicago Tribune as “edgy, seductive and smart,” brings Dorrance Dance to the CFA Theater September 25 and 26. You’ll have the chance to see tap dancers push the boundaries of what tap dance looks and feels like: her company will dazzle you as they transform the stage into one sonic instrument.

At a time when our country is struggling to find its way in terms of race relations, we’ve invited writer/performer Daniel Beaty to campus for a residency that includes the October 9 performance of Mr. Joy, his highly acclaimed tour de force solo show about a community’s efforts to heal in order to dream again.

Composer, visual artist, and new media innovator R. Luke DuBois takes over the Ezra and Cecile Zilkha Gallery from September 16 through December 13 with his exhibition In Real Time, creating maps, scores, and videos that use real-time data flows and media footage to raise questions of artistic agency, privacy, and fair use. In time for the election season, the CFA has commissioned him to create a new work using research generated by the Wesleyan Media Project.

Dancer/choreographer Eiko Otake returns with a series of intimate performances in unlikely places, including a commissioned work in honor of the 100th-anniversary of Wesleyan’s Van Vleck Observatory.

This year’s Navaratri Festival of Indian music and dance features one of the world’s greatest veena players, Sri Rajhesh Vaidya, on October 10, and Bharatanatyam dancer Alarmél Valli on October 11.

All this shares the fall schedule with performances by faculty and students, including the final class performance by students of Adjunct Professor of Music Abraham Adzenyah, who is retiring after teaching Ghanaian drumming at Wesleyan for the past 45 years. You won’t want to miss that concert on December 4.

As always, we hope you will look to the CFA as a place of enlightenment and enjoyment in the months ahead.

Sincerely,

Pamela Tatge
Director
Center for the Arts

Spring Photos: The Universal Flute

Asian Cutural Council Senior Advisor Ralph Samuelson MA ’71 performed traditional music on shakuhachi (Japanese flute). Dancer /choreographer Eiko Otake (of Eiko & Koma) joined Mr. Samuelson, performing a variation from her solo project, A Body in Places on April 1, 2015 in the Seminar Room at the Mansfield Freeman Center of East Asian Studies. Click here to view the full album on flickr.

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The Universal Flute
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The Universal Flute
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The Universal Flute
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The Universal Flute
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The Universal Flute
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The Universal Flute

Images by Sandy Aldieri of Perceptions Photography.

Spring Photos: Receptions – A Body in Fukushima

An artist talk at CFA Hall with dancer/choreographer Eiko Otake and photographer William Johnston about their collaboration for the exhibition A Body in Fukushima was followed by a walking tour of the exhibition at the Ezra and Cecile Zilkha Gallery, Davison Art Center, and College of East Asian Studies Gallery at Mansfield Freeman Center, with a reception in each location, on Thursday, February 5, 2015. Images by Sandy Aldieri of Perceptions Photography. Click here to view the entire album on flickr .

Spring Events Include World, New England, and Connecticut Premieres

Wesleyan University is a center for creativity and innovation, and one of the best places for our community to come together to participate in that energy is at the Center for the Arts. Our year-long exploration of Muslim Women’s Voices in performance continues on February 27 with a rare opportunity to see a dance company coming to Middletown from the northernmost tip of Sumatra, Indonesia. The dances of Tari Aceh! feature quick, highly-coordinated movements of hands, heads, and torsos, punctuated by lively body percussion. It’s unlike anything you’ve ever seen before. And on April 17 and 18, you can get a first look at a theatrical work-in-progress by playwright and actress Leila Buck ’99 that was commissioned for Muslim Women’s Voices.
Rachel Harrison, "AA," 2010, wood, bubble wrap, cardboard, acrylic, tennis shirt, A/V cart, DVD player, speakers, projector, extension cord, five hair rollers, pack of gum, ear plugs, American Apparel video, color/sound (2009), 80 x 70 x 70 inches. Courtesy of Greene Naftali Gallery.
Rachel Harrison, “AA,” 2010, wood, bubble wrap, cardboard, acrylic, tennis shirt, A/V cart, DVD player, speakers, projector, extension cord, five hair rollers, pack of gum, ear plugs, American Apparel video, color/sound (2009), 80 x 70 x 70 inches. Courtesy of Greene Naftali Gallery.

In the Ezra and Cecile Zilkha Gallery from January 29 to March 1, Studio Art faculty members Jeffrey Schiff and Sasha Rudensky curate Picture/Thing, an exhibition featuring the work of ten artists working at the intersection of photography and sculpture.

In April and May, we present “The Connecticut Meets the Nile,” a two-part happening that will highlight two great rivers. On April 10, Crowell Concert Hall hosts The Nile Project, an all-star gathering of musicians who live in the countries that border the Nile River and have come together to create music that draws attention to the environmental issues of a historic river that sustains millions of people. Then on May 9, at Middletown’s Harbor Park, Wesleyan and regional partner organizations present Feet to the Fire: Riverfront Encounter, an afternoon of music performances, visual art, and kid’s activities that will engage our community with our own beautiful river.
And throughout the winter and spring, you can put your finger on the pulse of what’s inspiring our newest artists by visiting the Senior Thesis Exhibitions in Zilkha Gallery, or by attending thesis performances by music, dance, and theater students performed throughout the CFA.
It’s all here for you. We hope you’ll join us.
Pamela Tatge
Director, Center for the Arts

“Creative Stages” to Premiere on CPTV on Fri. Nov. 28 at 8pm

creativestages_eventConnecticut Public Television (CPTV) premieres the original documentary Creative Stages, hosted by Ed Wierzbicki, on Friday, November 28, 2014 at 8pm. This half-hour special is devoted to the arts, as Mr. Wierzbicki takes viewers “inside the creative process” while interviewing Connecticut artists and exploring local arts organizations, including Wesleyan University’s Center for the Arts.

Hear from Pamela Tatge, Director of the Center for the Arts, as well as from visiting artists including Margaret Jenkins (Artistic Director of San Francisco’s Margaret Jenkins Dance Company), Anna Snow, Kerry Andrew, and Sarah Dacey of London’s Juice Vocal Ensemble, and Juliana Romano ’04 (featured in the exhibition The Alumni Show II in the Ezra and Cecila Zilkha Gallery), about the importance of this creative space to Wesleyan University and its students, as well as to the art world at large. The segment also includes footage of Liz Lerman Dance Exchange’s Ferocious Beauty: Genome, the Wesleyan Theater Department production of The Seagull, and a co-taught course by Professor of History and East Asian Studies William Johnston and Visiting Artist in Dance and the College of East Asian Studies Eiko Otake.

The program will also feature Javier Colon, the Yale University Art Gallery and artist Red Grooms, Waterbury’s Palace Theater and the Waterbury Arts Magnet School, and the Haven String Quartet at New Haven’s Lyric Hall.

2014-15 Season Now On Sale! World, U.S., New England, CT Premieres

This year, we invite you to join us as we welcome the world to Wesleyan. Artists working in contemporary or traditional forms from 18 different countries will be performing or exhibiting at the CFA over the next nine months.

fall_2014_brochure_cover8-18-14A centerpiece of this year’s program is Muslim Women’s Voices at Wesleyan, which begins in September. Each of the performers to be featured is Muslim or of Muslim heritage, has a distinct set of personal experiences, and is embedded in a particular place, society, and cultural tradition. It is our way of inviting audiences to celebrate the complexity of Muslim women today, while at the same time exploring the historical and cultural context from which these women have emerged. We are also inviting audiences to participate in the creative process as we give birth to a new play by Leila Buck ’99, based on stories of Muslim and Muslim-American women in our region.

We are also bringing one of the United States’ most innovative theater companies working at the intersection of text and technology, The Builders Association, for two performances in October. Their amazing production Sontag: Reborn is a portrait of the younger years of one of America’s most iconic intellectuals, Susan Sontag. In November, the Theater and Music Departments join forces to mount the Tony Award-winning musical In the Heights, directed by Theater’s Cláudia Tatinge Nascimento with music direction by Nadya Potemkina, director of the Wesleyan University Orchestra. The musical was the thesis production of Lin-Manuel Miranda, a Theater major who graduated in ’02, who went on to win the Tony for “Best Original Score.” The book was written by Quiara Alegría Hudes, winner of the Pulitzer Prize, who will be a visiting faculty member at Wesleyan this year. It is sure to be an extraordinary production. And throughout the fall, the epic-scale, haunting landscape paintings of Professor of Art Tula Telfair will be on view in Zilkha Gallery. We invite you to enter into the imaginary worlds that Telfair creates in twelve large-scale paintings that are simultaneously awe-inspiring and intimate.

We launched our new website over the summer, and we hope you’ll visit and return often to find out about all of the faculty, student, and visiting artist events and exhibitions this year. We hope you will look to us as a place of enlightenment and enjoyment in the coming months.

Pamela Tatge
Director
Center for the Arts

Spring Events Include New England Premieres and Connecticut Debuts

PrintAs winter sets in, the Center for the Arts heats up with many events and experiences designed to inspire, entertain, provoke and delight. We are welcoming two groups who, like the CFA, are also celebrating their 40th anniversary. The first is Margaret Jenkins Dance Company, one of the San Francisco Bay Area’s premier dance companies that will perform the New England premiere of Times Bones, an enthralling work that features music by Paul Dresher and poetry by Michael Palmer. Jenkins is one of this country’s master choreographers with an astonishing body of work and we are delighted to be bringing her company to Connecticut. We are also bringing members of Sweet Honey in the Rock to Wesleyan. For four decades, this Grammy Award-winning all female African American a cappella group has brought joy to audiences around the world. Three members of Sweet Honey will be teaching workshops that will culminate in a showing on April 17. This is an extraordinary opportunity for both singers and non-singers to enter into their creation and performance practice. Other highlights of the spring include the first major solo exhibition in the U.S. by Paris-based American artist Evan Roth, whose work lives at the intersection of viral media and art, graffiti and technology. You’ll also have the opportunity to hear Ukranian Vadym Kholodenko, winner of the prestigious Van Cliburn International Piano Competition, play a program that includes Frédéric Chopin, Johannes Brahms, and Nikolai Medtner. Wesleyan’s Music Department will host the 28th conference of the Society for Electro-Acoustic Music in the United States, which will feature a series of concerts where you can immerse yourself in new music by American composers. And Associate Professor of Dance Nicole Stanton will premiere the work Threshold Sites: Feast, which explores how we experience and enact our own corporeality, and how that impacts the way we experience our communities and our environments. At the end of the semester, you’ll have the chance to see the culminating works created by Wesleyan students, and be able to put your finger on the pulse of the current generation of art makers. Highlights include a production of Slawomir Mrozek’s Vatzlav, directed by Lily Whitsitt ’06; thesis performances in music and dance; and three weeks of thesis exhibitions by studio art majors. We have a rich and expansive spring planned for you. Please join us as often as you can.

Pamela Tatge
Director
Center for the Arts

This Weekend: Puppetry, Funk, Grateful Dead music, and more!

CFA Arts Administration Intern Monica M. Tinyo ’13 surveys this week’s offerings at the Center for the Arts.

What are you doing this weekend? Are you rocking out to the music of the Grateful Dead? Watching an outdoor puppet show? Maybe you are listening to an orchestra of laptops, or expanding your idea of art. If you aren’t, you should be. This weekend holds a ton of exciting performances, exhibitions, and lectures that are as diverse in subject as they are in medium.

On Friday at 1:30pm, get your dance fix with a free studio showing by the Philadelphia-based choreographer Moncell Durden, President and Founder of Dance Educators of Funk and Hip Hop.

Time Stands Still: Notation in Musical Practice Festival-Conference, April 5 & 6

If music is more your thing, there are a number of senior and graduate recitals, like Henry Robertson’s tribute to the Grateful Dead, “Transitive Nightfall of Diamonds” (Thursday at 9pm). You could also explore musical notation with international experts at the Time Stands Still festival-conference this weekend (starting Friday at 1:30pm). Along with symposium sessions and roundtables, there will be two concerts (Friday and Saturday at 8pm), including the U.S. premiere of London’s Vocal Constructivists, alongside Wesleyan students in the Toneburst Laptop & Electronic Arts Ensemble.

A little overwhelmed? Take a break and have some quiet contemplation with artwork at the Ezra and Cecile Zilkha Gallery. There you can see the brilliant art studio thesis work (Noon to 5pm). The students featured are so talented, you won’t believe that not one of them has yet lived a quarter of a century. You can also see artists taking action in a collection of protest posters at the Davison Art Center (Noon to 4pm).

Last but definitely not least is the outdoor puppet show (Thursday through Saturday at 9pm), with handmade puppets and complimentary tea. You really don’t want to miss Frog’s journey to prevent Tokyo’s destruction by enlisting the help of a lowly collections officer, Katagiri!

Instead of your normal weekend routine, come to an event at the Center for the Arts. I promise it will be more fun, valuable and out of the ordinary than anything you were planning!

Spring Events include World, U.S. & New England Premieres

Gallim Dance performs February 8 & 9, 2013 as part of the Performing Arts Series.

This spring at the Center for the Arts we bring you work that is of today: innovative, inquisitive and sure to surprise and engage you. Continuing our exploration of Music & Public Life, we bring you a concert of music from Thomas Jefferson’s Monticello–what you might have heard both in the mansion and in the slaves’ quarters–where audiences will have the chance to experience the first glass harmonica on the Crowell Concert Hall stage. The great activist and trumpeter Hugh Masekela will bring his band to Wesleyan, and our own West African Drumming ensemble will have the chance to open for him. In dance, we bring back Andrea Miller’s Gallim Dance after their performance at the DanceMasters Weekend Showcase in 2011 brought audiences to their feet. Her piece Mama Call investigates her Spanish-Sephardic heritage, and the reprise of Pupil features the spirited music of Balkan Beat Box. In theater, we bring the master innovator Lee Breuer to campus with his newest work Glass Guignol, a compilation of texts from Tennessee Williams’ women, performed by the indomitable Maude Mitchell.

In Zilkha Gallery, Lucy and Jorge Orta’s Food-Water-Life will be on view. This is the first-ever solo show in the U.S. of work by these Paris-based artists, who stage performative events to bring attention to some of the world’s most urgent environmental and social issues. The colorful sculptural works, including a large canoe, and three parachutes, will take advantage of Zilkha’s scale, and a series of food events is being staged to more deeply connect you to the themes of the show.

Spring is also when you have the chance to put your finger on the pulse of the next generation of contemporary artists: an evening of work by seniors in dance, three theater thesis productions, four weeks of thesis exhibitions in Zilkha, and two solid months of music recitals will give audiences an overview of the art that is being generated at Wesleyan.

So please join us! We look forward to welcoming you.

Pamela Tatge
Director, Center for the Arts