As some of you may know, in addition to my work as the Press & Marketing Manager at the Center for the Arts, I am also a drummer/percussionist, composer and bandleader. Several of my projects are improvisational ensembles that feature the crossing of genre borderlines, including jazz, funk/fusion, and rock. I am always excited when Wesleyan features jazz artists—from Charles Lloyd (who was one of David Liebman’s teachers), Kenny Barron, Sherrie Maricle, Anthony Braxton, and Jay Hoggard, to Lionel Loueke, Taylor Ho Bynum and Noah Baerman—so I was happy when I heard that the summer programming committee had selected Mr. Liebman’s group as one of the evening performances this month, at the suggestion of Gene Bozzi. Mr. Liebman’s group has explored a wide variety of contemporary styles, ranging from bebop and free jazz to fusion and Brazilian.
At Wesleyan, Mr. Bozzi is a Private Lessons Teacher for percussion/drums, and the Music Department Chair at the Center for Creative Youth, a summer residential arts program here on campus. He is also the principal timpanist with the Hartford Symphony Orchestra (one of my previous employers). Over the weekend, Gene shared with me a bit about his work as a jazz sideman:
“I met Dave Liebman in the late 1970’s, when I was playing drums in a local Hartford group called Jazz Icarus. We were just out of college, and trying to get our ‘jazz chops’ together, but fortunate enough to score one night a week at Mad Murphy’s on Union Place. We would bring Dave in as our guest artist and give him all the money for the gig. It was like on the job training for us, we learned a lot. He would talk about his gigs with Miles Davis and Elvin Jones. I am thrilled that the Center of the Arts is bringing in artists of this caliber to perform and interact with our Center for Creative Youth students.”
I first remember hearing David Liebman’s sax playing during the spring of my junior year of college in 1998. I was studying music at Syracuse University, and graduate student/saxophonist Chris Mannigan put Panthalassa: The Music of Miles Davis 1969–1974 – a Miles Davis remix album by producer/bassist Bill Laswell – on the stereo at a party. I soon sought out the original albums On the Corner (1972) and Get Up With It (1974). Mr. Liebman also appears on Miles’ live album Dark Magus, recorded at Carnegie Hall in 1974.
Writer Alan Bisbort talked to David Liebman this past Saturday morning, following Mr. Liebman’s return from a tour that had stops in Austria, Finland, Switzerland, and Italy:
Liebman thinks what makes a “classic” recording is something of a beautiful mystery.
“Look at [John Coltrane]. He recorded his Giant Steps and then played on Miles’ Kind of Blue within a month of each other. Both are totally different, both are now musical milestones. And yet, if he thought about how they’d be received he probably never would have gotten out of bed in the morning,” says Liebman laughing. “There was a lot of traffic for musicians back then. Each session was a musical challenge, but you are also making a living.”
Liebman promises a “variety of things” at the Wesleyan gig.
“It really depends on the audience, the vibe, the size and even the sound of the room. I don’t really know until I see all this,” said Liebman. “I’ll have my martini, then check out the crowd from backstage and draw up a set list. I can quote from a huge repertoire, everything from Ornette [Coleman] to [Antonio Carlos] Jobim to Cole Porter.”
You can read the rest of Alan’s article in the print edition of the Advocate on July 19 (or online here), and then head to Crowell Concert Hall that night to hear David Liebman’s group, which features guitarist Vic Juris, bassist Tony Marino and drummer Marko Marcinko.
David Liebman Group
Thursday, July 19, 2012 at 8pm
Crowell Concert Hall
$22 general public; $19 seniors, Wesleyan faculty & staff; $10 students
2 thoughts on “A Beautiful Mystery: David Liebman Group (July 19)”
Another great show at the Crowell Concert Hall. I always enjoy the clean acoustical response of the space, though I have noted in the past that bass notes seem to dissipate easily here. This was the case again for the Liebman show; I would have preferred to hear Tony Marino’s double-bass a bit further up in the mix. With that minor exception, the wonderful sound and a packed house made this a night to remember.
Here’s hoping that more jazz events will be scheduled for the Crowell in the near future!
My wife and were at the Dave Liebman show and enjoyed it immensely. We live in Pomfret Ct. and have been attending shows at Crowell Hall for many years now. We love the performing space and the surrounding campus buildings. The sound in the hall is second to none. The seating and closeness to the performers create a space that has no bad seats. I continue to come to Crowell because of all of the above reasons, plus, the extreme quality of the performers who come to perform there. Jazz is my favorite form of music, and the master musicians I have seen perform at Crowell would usually take a trip to New York to see. From what I can tell, the musicians on stage seem to appreciate the performing space as much as I do. I will continue to support Crowell Hall and the artists who perform there as long as I am able………it is truly my favorite place to hear exceptional music.
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